My journey as an artist and maker began at the tender age of six when my mother introduced me to the world of sewing. With a thread and needle in hand, I discovered not only a creative outlet but also a means of connection to my family's history and values. Growing up, resources were scarce, and my mother often mended our clothes instead of buying new ones. I remember the moments when I would annoy her, eager to learn and create as she worked diligently to keep our family clothed. It was through her patience and guidance that I made my first Halloween costume, igniting a passion for crafting that has continued to shape my artistic identity.

As I grew older, my parents nurtured my creativity, encouraging exploration across various mediums. I immersed myself in ceramics and jewelry metal arts, driven by the hope that I would come to understand metal in a way similar to my grandfather, a skilled stick welder and metal artist. Though my journey into jewelry was different from his, it deepened my appreciation for craftsmanship and the stories that materials can tell. My artistic exploration eventually led me to photography and oil painting, where I found a particular affinity for the blending and workability that oil paint offered. I later delved into printmaking processes, such as block printing and intaglio printing, each medium revealing new avenues for self-expression. My artistic path culminated at California College of the Arts in Oakland California, where I initially pursued oil painting but quickly shifted to a Textile major after sitting behind a 8 harness macomber floor loom for the first time. In that moment, everything clicked, and I found a profound sense of purpose and meaning in working with fibers and textiles, recognizing their deep connections to humanity, clothing, community, and memory. It grounded me, reminding me of my mother and grandmother, and the multigenerational threads of fiber connecting us all.

Today, as the Studio Director at the Refugee Collective, I find myself at the intersection of my artistic training and a profound commitment to community and craft. In this role, I apply my knowledge of textiles and various art forms to create an inclusive space where refugees can explore their creativity and share their stories. My background in textiles informs workshops where participants learn sustainable textile practices such as natural dyeing with food waste, hand mending techniques, and block printing. I believe that art has the power to heal and connect, and I strive to create an environment where individuals can find their voice and autonomy through creativity. The skills I've honed over the years serve not only my artistic endeavors but also contribute to building a supportive community where creativity flourishes and lives are transformed in shared making.